Wednesday, October 07, 2015

Juggling Projects

By Elizabeth MS Flynn w/a Eilis Flynn
Since I was laid off a couple of years ago, my former freelance business, now full-time business, keeps me surprisingly busy. To the point that I have to keep track of what projects are going on at any given time with an activity tracker, like busy moms do with busy families and kids.

Well, close, not quite. Not having room for a complex piece of hardware (ie, a whiteboard) in my office, I keep track with a running sheet of projects on (who would have thought?) a sheet of paper. Old school, using a pen and paper, even. (I’m old school like that.) Once I finish, I cross it off. Simple, you say. Simple? SIMPLE? Well, yeah, it is, but if you’re like me, the constant reminder of the list just sitting there, ever growing, alarms you, just a tad. (Okay, in all fairness, that list is also ever shrinking. Because I do get things done. It’s just alarming, you know?)

The point of knowing what you have to do is so you can arrange and rearrange your management of projects so you give enough time to all those active projects and keep in the back of your mind how to deal with the upcoming ones, and also how to deal with anything that comes along unexpectedly. When I started doing this small-business thing full time, I predicted I would have periods of calm and periods of frenzy, like any business. What I should have realized was the constant surveillance of both periods is its own task. In itself, it is a running sheet. But that’s what a small business is—doing the work, looking for work, cleaning up the work. Determining what should be done and when. And that goes for any kind of business.

Coming up? Editorial projects to work on and two presentations at the Emerald City Writers’ Conference in a couple of weeks. They’re all there in the running sheet, but the conference had to be circled, just in case I forgot for some reason, and moved up on the running sheet! The revamping of my own websites, both emsflynn and eilisflynn, go lower, much lower, on the running sheet. The wrangling of authors for their work, already done but requiring handling of one kind or another, go higher. My own writing? A few pages here and there, but that’s got to go lower on the list. That’s the nature of the small business and managing it.

Elizabeth MS Flynn has written fiction in the form of comic book stories, romantic fantasies, urban fantasies, historical fantasies and short stories, a young adult novel, and a graphic novella (most published under the name of Eilis Flynn). She’s also a professional editor and has been for more than 35 years, working with academia, technology, and finance nonfiction, and romance fiction. If you’re looking for an editor, she can be found editing at and reached at If you’re curious about her books, check out In any case, she can be reached at

Wednesday, September 16, 2015

Digging Up the Past (Once More)

I discovered a fun book a while back, and I was amused (but not surprised) to find out that the book was originally published by one of my previous publishers. Digging Up the Past by Sandi Brackeen was first published by Cerridwen Press about five years ago, but that was the beginning of the period during which the publisher wasn't supporting the imprint anymore, so the works coming out weren't given any press or PR, and so the books sort of faded into the background. Sandi eventually got the rights back and published the book, and restarted the series, with Booktrope, the team publishing effort out of Seattle. That's where I found the book, and her. Here's a few deets about the book, and her:

Here's the book description: The Spade of Apocatequil can raise the dead and grant immortality—and it’s been stolen!  

When supernatural agents Riley Perez and Jason, her partner at the clandestine government agency DUE, are given the task of tracking down the magical artifact, they discover that the culprit may be one of the workers at an archaeological dig at Shady Shores. Is it John Braden, the head archaeologist on-site, who was involved in the original discovery of the spade? Or is it Danny Roget, the anthropologist, who claims that there have been strange sightings? Riley and Jason’s hunt for the spade is endangered by a rash of sudden, unexplainable deaths of people involved in the dig. Together with Cameron Delaney, the intriguing alpha werewolf who runs Cerberus Security, the company in charge of protecting the archaeologists at the dig, Riley and Jason must find the spade before it can be used to destroy the world!
Author Bio:  Sandi lives in Texas with a roommate, two yellow Labs, a shepherd/border collie mix, and two terrier mixes.  The animals were all rescues.  Her full-time job is as the public information officer for the local sheriff’s office, and she teaches English part time at the local community college.  She says she has a couple of degrees lying around somewhere, and she’s been writing ever since she can remember, although she took time off for work and school, and previously her writing has been more geared toward short stories and academic papers.  Sandi has now switched to writing fiction and currently has several more books in the works.
Purchase links:

Tuesday, July 21, 2015


A Longmire Mystery
by Craig Johnson

Reading and then writing a quick review of a book can be tricky when you keep falling asleep while you’re reading it. Not because the book is bad, far from it; but when the only time you have to read something that isn’t for work is the last thing before going to sleep and your eyes are tearing up like crazy, it’s hard to read, then write. Fortunately, I finished one project. Sort of. But that gives me time to tell you about the latest Longmire story, Dry Bones, the title not only a reference to the old ditty (“Dem Bones”) but the fossil of a T-rex that’s dug up in the county for which Walt Longmire is the good sheriff.

As always, a good read, and it’s getting to the point that I’m tempted to go back to the beginning to read how the series began, because in Dry Bones, our hero muses and finally admits that the occasional visions he sees (always in service to the story at hand) are, well, weird. In fact, a little disturbing. But since they happen about once or twice a book, they’ve been happening fairly often now, starting from the first novel. I’m tempted to go back and determine when exactly the visions began.

Anyway, the plot. Yes, there’s a fossil of a T-rex involved, the largest found thus far, and there is a question of which political body can lay claim to it, but there’s also a body of a man found. And the way these things go, a politician with delusions of glory gets involved (and of course, he and Walt do not see eye to eye on how things should be handled). I’m always impressed at how Johnson manages to weave Walt’s personal story with the mystery at hand, and in the latest books, at least one reference to old-time actor Robert Taylor (the new-time Australian actor Robert Taylor portrays Longmire in the series, now with Netflix). Like a mystery? You’ll like this one.

COMING UP: Oh, so many choices, so little time, and more!

Saturday, July 04, 2015

Happy 31st Interdependence Day!

For those of us in the US, today is Independence Day, celebrating the day we as a nation decided not to be ruled by another. In other parts of the world, though, it's just July 4. But wherever we are, no matter what culture we're currently in, today is Interdependence Day for my husband and me, because it's our anniversary.

We got married on July 4 in Brooklyn, NY, 31 years ago, and had our reception in the restaurant in the tallest building in Bay Ridge. We chose that spot because that's where we lived; we loved the area (the southernmost tip of Brooklyn, right before the Verrazano Bridge, which leads you to Staten Island), and by having our reception in that building, we could see the fireworks over in Manhattan. It was one day that we knew most everyone we wanted to invite would have off, and surprisingly, neither the church nor the restaurant were booked. It was a lovely, sunny day (okay, it was summer in New York: It was scorching, the church wasn't air-conditioned, but the sky was a beautiful blue), and we remember it fondly still. 

Eventually, we moved away -- across the country, even, to Washington state -- but we had the opportunity to go back to New York a few years ago, just in time for our anniversary. We had dinner at the restaurant at the top of that same building, and watched the fireworks over in Manhattan again. We remember that fondly, too.

Tuesday, June 30, 2015

Geeks And Gamers’ Guide To World-Building

By Eilis Flynn
The problem with staring at the computer screen for hours on end is what you end up thinking about. Not necessarily the project at hand; instead, it’s quite possible you end up musing about totally unrelated things.

Like world-building. When you write fiction, you always build new worlds. No matter if you’re writing fantasy or you’re writing contemporary, you have to craft an existence other than the one you’re living in. Sometimes the existence you’re describing looks like the one you’re in but with some notable differences, and sometimes the one you’re describing looks nothing like yours, but whatever the situation, you have to make it interesting enough for the reader to want to stay in it for a while.

Welcome to world-building 101, the geeks and gamers edition. What’s the deal with world-building? Too much detail and nobody wants to hear about it; too little and your audience turns away, saying that they can’t “see” the world. What’s a good balance? What makes one created world memorable and another so very forgettable?

Could it be the type of world—you know, historical versus futuristic versus fantasy? What about the contemporary world? What about in comic books and video games and board games, for that matter? What makes each of them memorable or forgettable?

The specific genre or medium doesn’t really matter. Each has specific strengths and weaknesses, and it’s our job to identify, locate, and implement those strengths and overcome those weaknesses. Sometimes, when we are lucky, we can even identify and implement those strengths, and if we’re very, very lucky, we can even implement a strength from one genre or medium and make it work in another. But we have to identify them first.

No matter what you’re writing, the truth is that you have to establish and make your readers believe the world you’re writing about. Comic books and video games (and games in general, for that matter) have been particularly successful in doing this. After all that musing and staring at the computer screen, my friend Jacquie and I decided to examine the worlds and universes that comics and games have built, try to figure out why they work so well (sometimes even across media to film), and how we can use those concepts in our own writing, and we put it all into a workshop for the San Diego romance writers.

We’ll be taking a look at the worlds and universes of comic books and world-building from the viewpoint of games and video games. Is there some carryover? Of course there is. We’ll examine that too. Check out and sign up. It starts July 6!

Elizabeth Flynn/Eilis Flynn has written fiction in the form of comic book stories, romantic fantasies, urban fantasies, historical fantasies and short stories, a young adult, and a graphic novella (most published under the name of Eilis Flynn). She’s also a professional editor and has been for almost 40 years, working with academia, technology, finance, and science fiction, fantasy, and romance fiction. If you’re looking for an editor, she can be reached at If you’re curious about her books, check out In any case, she can be reached at

Wednesday, May 27, 2015

Looking At The Differences Between Super-Heroines And Super-Heroes

By Eilis Flynn

Why is building a super-heroine so different from building a super-hero?

Before I answer that, when you’re about to start writing a new story, how do you create a hero and heroine? Do you start with your hero, or do you start with your heroine? Depends on any number of factors, doesn’t it? Depends on the story you want to tell, right? Same thing with super-heroines and super-heroes.

First of all, you have to understand that they’re not the same. One isn’t better than the other; one isn’t more important than the other; one isn’t preferable to the other. Heroes and heroines are just different. And that is the case with super-heroes and super-heroines.

How are super-heroines created? To get some idea, let’s look at some Qs and their As about some super-heroines in pop culture!

Q: Who was the first super-heroine of the 20th century? (See, I have to be specific about the century, but I’ll get into that later.)
A. Wonder Woman
B. Miss Fury
C. Edith Cavell
D. Sonya

The answer is (B). Believe it or not, it wasn’t Wonder Woman. Journalist Tarpe Mills came out with Miss Fury almost a year before psychiatrist Charles Moulton Marston, the developer of the X-ray machine, introduced Wonder Woman. And Mills came out with her character on her own, as opposed to Marston, who spearheaded a committee to come up with Wondie. Wonder Woman is notable because she battled evil through the 1940s and the 1950s and went on from there, never really going away to this day, while Miss Fury fought crime in one incarnation or another before she went off into the sunset in 1953. (Wonder Woman, of course, continues to live, no matter how many versions of male creators try to kill her off.)

Edith Cavell was a real-life hero of World War I, a nurse who worked on the front. Amazing woman! But not our topic today.

Of course, Robert E. Howard, creator of Conan the Barbarian, also introduced a woman warrior in a short story. It wasn’t a very big intro in 1934, and only diehard fans remembered her, but decades later, in 1973, Marvel Comics came up with Red Sonja, based on Howard’s character. There were big differences between Howard’s Sonya and Marvel Comics’ Red Sonja. Howard’s feisty character, who showed up in just one short story, was based in modern times, while Marvel’s Sonja was a contemporary of Conan the Barbarian and also held her own in a fight. Also interesting, but also not our topic today.

Q: Who’s the comic chick who went from girl to woman to girl?
A: Wonder Woman
B: Hawkgirl
C: Supergirl
D: Disco Dazzler

Sorry for the broad hint! Ahem. The answer, of course, is (B). Before super-heroines were big—and super-heroes had barely come on the scene themselves—there was Shiera Sanders, introduced in 1940, just a while after Superman and Batman. But she wasn’t super yet; she was super-hero Hawkman’s girlfriend. By 1941 she had gained super-powers and she fought alongside Hawkman as Hawkgirl. She faded after World War II, but a new version was introduced in 1963, by then Hawkman’s wife—but she was still Hawkgirl. Twenty years later, Hawkgirl became Hawkwoman, but she wasn’t any stronger and she was still very much a sidekick. Another twenty years later, she was Hawkgirl again—but there wasn’t a Hawkman in sight. She was also more likely than not to relax by starting a brawl than taking a bubble bath. (Her secret identity moniker went between Shiera and Shayera, but again, not the point.) The latest version of Hawkgirl will be part of the TV series Legends of Tomorrow, debuting in 2016. She’s as persistent as Wonder Woman herself!

Wonder Woman, of course, was always Wonder Woman (A). There were Wonder Girl and Wonder Tot too, but they were different characters.

Supergirl was always Supergirl (C). There has been a “Superwoman” from time to time, but only for a single story line, and never for long. And of course, she’s got a TV series of her own, starting in a few months on CBS!

Disco Dazzler (D)…oh, that’s a topic for a whole ‘nother workshop!

Q: For those of you who’ve seen the Marvelverse movies, what about the character that Scarlett Johansson portrays? Codenamed Black Widow, Natasha Romanova (1964) was:
A: A Russian spy
B: A ballerina
C: An actual widow
D: All of the above, depending on whom you ask

Natasha has been a complex and many-lived character (D). That black catsuit she often sports? Not original to her. That costume she’s become best known for only began to be her usual outfit in 1970. No, Emma Peel (1965) of the British TV adventure series The Avengers(!) wore the sleek black catsuit before the Black Widow. Natasha started off as a Russian spy who later defected, becoming at one point a freelance agent of the government agency SHIELD. At one point she was implanted with false memories of having been a ballerina; at another point it was revealed she was married, but her husband faked his death before he ultimately died; and she dated Daredevil, Hawkeye, and others. Busy, but when you’re one of a relatively small pool of super-heroines in a mostly male genre, you probably have your pick.

Q: Why was 1976 a notable year for heroines of all stripes?
A: Miss Piggy was introduced
B: The original Charlie’s Angels debuted
C: Phoenix of the X-Men was revealed
D: Apple Computer was formed by Steve Jobs and Steve Wozniak

Kidding! A, B, C, and D all happened. (For those of you who are curious, Jean Grey of the X-Men was first known as Marvel Girl, then became known as Phoenix or Dark Phoenix in the “new” X-Men depending on whether she was threatening to destroy all of humanity, but mostly as Jean Grey. Also popping up in the Marvelverse are Miss Marvel, Ms. Marvel, and Captain Marvel, all female. There was a male Captain Marvel, but he was killed off. Also not to be confused with DC Comics’ Mary Marvel and Captain Marvel—male—both of whom must be the topic of yet another workshop, and that Captain Marvel was recently renamed Shazam. So if you’re a longtime Marvel Comics fan, their favorite phrase “Make Mine Marvel” has many layers.)

Q: Why do we remember Supergirl (1959) and Batgirl (1967)?
A: One is Superman’s cousin and the other is not related to Batman at all
B: From their movies. Oops, sorry, Batgirl never had her own movie, and the Supergirl movie is not spoken of in polite company. Alicia Silverstone as “Batgirl” in the Clooney version of Batman isn’t spoken of, either
C: No idea
D: The possibilities are endless!

It’s (D)! Remember when I mentioned that “Superwoman” as a character has popped up from time to time, but never for long? Supergirl has been the cousin since her introduction in the late 1950s, and she’s stayed that way. (She does have a doppelganger of sorts in the form of Power Girl, the slightly older and definitely more zaftig clone/parallel dimension version, who has gone through a number of different changes.) The same isn’t true for Batgirl. Since the version you’re probably most familiar with is Barbara Gordon (Commissioner Gordon’s daughter or niece, depending on the writer), it may come as a surprise to you that before a series of recent company-wide resets of the DC universe, Barbara fought crime as wheelchair-bound Oracle, leaving the titles of “Batgirl” and “Batwoman” to others. For the moment, anyway.

Q: Not precisely a super-heroine, but she’s pretty darn super nonetheless: How many incarnations has the declared dead ex-junkie turned deadly assassin Nikita had since she was first introduced in 1990?
A: One
B: Two
C: Three
D: Four

Oh, this one’s a gimme (D). La Femme Nikita was the original French film, which came out in 1990 (with Annie Parillaud); Americans were so intrigued by it that they came up with their own version under the title Point of No Return in 1993 (with Bridget Fonda as the lead character, renamed Nina); TV got interested in the character and came up with Peta Wilson (1997–2001); and the latest one on TV just ended with Maggie Q as Nikita (2010–13). It’s had four incarnations in 20 years. Why is this character so popular? We’ll discuss it in my workshop coming up next month for the Carolina Romance Writers, “Building a Super-Heroine”!

Over the years, Eilis Flynn has written fiction in the form of comic book stories, romantic fantasies, urban fantasies, a young adult, a graphic novella, and self-published historical fantasies and short stories (most published under the name of Eilis Flynn). Check out if you’re curious about them. As Elizabeth Flynn, she’s also a professional editor and has been for more than 35 years, working with academia, technology, finance, romance fiction, and comic books. She can be reached at Most days, she hangs out at Facebook at eilis.flynn. Hope to see you there!

Tuesday, May 12, 2015

BOOK LOG 44: GRAVE ON GRAND AVENUE (An Ellie Rush Mystery)

by Naomi Hirahara

This is the followup to the introductory novel about LAPD Officer Ellie Rush, a young bicycle cop assigned to an ethnically diverse area. I was pleased and intrigued by Ellie’s first book, and I was pleased to discover that the second, about skulduggery in the fancy-pants musical world involving Chinese musicians and their instruments and the death of a gardener working on a major concert venue in Los Angeles, not only expands on the world around Ellie and her friends, it stretches a little more in her search for the truth about what happened with the gardener (with a special guest appearance by Hirahara’s first detective, the delightfully grumpy Mas Arai—and therein my only complaint. The deceased was Mas’s friend, but he wasn’t involved in the case somehow? Really? I found that hard to believe).

Also in this story is an exploration about Ellie’s friends from college, who are lollygagging still in college (not the sort who rush through sch…hey, I see what Hirahara did there!). Her best friend, who’s a bit of a leech, but when she gets involved in something, she does hang on determinedly, turns out to be a surprise, and in some ways, her shift into having more focus vaguely reminded me of the CW’s interpretation of Iris West on The Flash, because both characters’ decision to go into journalism made me go “Huh?” Iris West’s enough of a blank slate (and the character is one who hasn’t impressed anyone, I gather, with her smarts or personality, unlike the original comic character) that I can accept it. But Ellie’s friend’s decision did surprise me. The author has background, so I can accept it. (Don’t get me started on The Flash, a show I enjoy very much and about which apparently will accept almost anything. Almost.)

Anyway. Looking for a mystery? Try this one, and the one that preceded it! They’re both wonderful reads!

COMING UP: So hard to choose!